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“Little Orphant Annie”

Thursday, October 26th, 2006

I wrote and recorded a children’s song for Halloween:

You can listen to it by clicking here.

Actually, I didn’t write the words, only the music. The lyrics are by James Whitcomb Riley (1849–1916).

It’s sung by the monsters who live in my attic. Sometimes they sing out of tune. I asked them to try recording it again and sing a little bit more in tune this time (please!), but they said that they were “too tired”.

LITTLE ORPHANT ANNIE

Verse 1:
E7…………………………………………..
Lit-tle Or-phant An-nie’s come to our house to stay,

F#m7………………………………………………….
An’ wash the cups an’ sau-cers up, an’ brush the crumbs a-way,

E7………………………………………………………….
An’ shoo the chick-ens off the porch, and dust the hearth, and sweep,

F#m7………………………………………………………
An’ make the fire, an’ bake the bread, an’ earn her board-an’-keep,

E7…………………………………………………..
An’ all us oth-er chil-dern, when the sup-per-things is done,

F#m7……………………………………………..
We set a-round the kit-chen fire an’ has the mos-test fun

Am……………………………………………..
A-lis-t’nin to the witch-tales ‘at Ann-ie tells a-bout,

Chorus:
Am7………………………..
An’ the Gob-ble-uns ‘ll git you

C6…………………
Ef you Don’t Watch Out!

Am7………………..
Ef you Don’t Watch Out!

Verse 2:
Wunst they wuz a lit-tle boy would-n’t say his pray-ers-
An’ when he went to bed at night, a-way up-stairs,
His Mam-my heerd him hol-ler, an’ his Dad-dy heerd him bawl,
An’ when they turn’t the kiv-vers down, he wuz-n’t there at all!
An’ they seeked him in the raf-ter-room, an’ cub-by hole, an’ press,
An’ seeked him up the chim-bly-flue, an’ ev-er’-wheres, I guess;
But all they ever found wuz thist his pants an’ round-a-bout:-
An’ the Gob-ble-uns ‘ll git you
Ef you Don’t Watch Out!
Ef you Don’t Watch Out!

Verse 3:
An’ one time a little girl ‘ud allus laugh an’ grin,
An’ make fun of ever’ one, an’ all her blood-an’-kin;
An’ wunst, when they was ‘company,’ an’ ole folks wuz there,
She mocked ’em an’ shocked ’em, an’ said she didn’t care!
An’ thist as she kicked her heels, an’ turn’t to run an’ hide,
They wuz two great big Black Things a-standin’ by her side,
An’ they snatched her through the ceilin’ ‘fore she knowed what she’s about!
An’ the Gobble-uns ‘ll git you
Ef you Don’t Watch Out!

Verse 4:
An’ little Orphant Annie says, when the blaze is blue,
An’ the lamp-wick sputters, an’ the wind goes woo-oo!
An’ you hear the crickets quit, an’ the moon is gray,
An’ the lightnin’-bugs in dew is all squenched away,-
You better mind yer parunts, an’ yer teachurs fond an’ dear,
An’ churish them ‘at loves you, an’ dry the orphant’s tear,
An’ he’p the pore an’ needy ones ‘at clusters all about,
Er the Gobble-uns ‘ll git you
Ef you Don’t Watch Out!

MAKE: Blog: Music Archives

Friday, October 13th, 2006

MAKE magazine has a lot of cool articles on music. The current feature is on vacuum cleaner music.

Capitalism explained

Sunday, September 17th, 2006

Capitalism explained on The Wire: “On Getting Paid”.

Hey, it’s that guy from Deadwood! (Part 2)

Thursday, September 14th, 2006

Not only is Ricky Jay in a Bob Dylan video, but, I just noticed, he’s also in the Sex Pistols documentary The Filth and the Fury.

Why I love Michael Steele

Wednesday, September 13th, 2006

Since my name is “Paul”, I suppose I should like the original Big Star version of “September Gurls” the most. But Michael Steele sounds more like she really knows what the song is about in the Bangles cover.

St. James Infirmary Revisited

Wednesday, September 6th, 2006

Walking in the dark through the North Hibbing graveyard. Listen.

Hey, it’s that guy from Deadwood!

Saturday, August 26th, 2006

Eddie Sawyer (a.k.a. Ricky Jay) deals a straight flush to the Jack of Hearts:

Open Letter to Columbia Records

Thursday, August 24th, 2006

Dear Columbia Records:

Please release Renaldo and Clara on DVD now! Both versions, the long one and the short one. I don’t want a copy of Masked and Anonymous, I don’t want a DVD of Unplugged, and I don’t want a copy of that video of Bob with Tom Petty’s band playing in Australia or wherever. I want to see the charismatic Bob of 1975–76. I was just watching the video for “Series of Dreams”:

Half of the film footage seems to come from Renaldo and Clara (while the other half seems to come from Don’t Look Back). And it looks great. From looking at those clips, Bob Dylan, when he was in his prime (the mid 60s and the mid 70s), would have made a great silent film star, another Valentino. You can’t keep your eyes off of him.

(And, while you’re at it, please also release Eat the Document and Something Is Happening on DVD.)

Paul Reiners

Friday, September 16th, 2005

Technorati Profile

Desolation Row

Monday, September 5th, 2005

I read Bob Dylan’s Chronicles book the week it came out; it was impossible to put down. Anyway, I’ve been studying 12-tone row composition lately, and happened to remember this post from Alex Ross’s excellent blog:

To the tune of a concertina

Alex’s post refers to this passage from the book: “If you’re using the [diatonic] scale, and you hit 2, 5 and 7 to the phrase and then repeat it, a melody forms”.

I also kind of wondered what Bob meant when I read that in his book

So, I came up with this version of a 12-tone row based on Bob’s comments and Alex’s blog post:

Desolation Row

Note that you can’t follow the pattern (as I interpret it, anyway) exactly. Otherwise you would want to put a B as the 10th tone, but B has already been used as the 3rd tone.